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Levelogger Don Pendleton (and P-Rod) done did the Dew. CN260710

What do you call a smart car with a 1000cc superbike engine? Insane. And available. CN200710

Niels “Shoe” Meulman grafs seriously old-school. CN160710

Maybe adidas should have recut the whole thing instead of Lucas. Nicely done. CN050610

A printer, made from Lego! And felt tips! MN020610

When TV was for kids and not merchandising. CN260510 [1]

Stories from the merch table. MN190510

Some cool work. He’s got a show coming up in SF at Gallery Heist. OA040510

011

Andy Jenkins writer

30 July 2009

legendmusic

A QUARTER OF NICKELS

I can still remember the very first time I heard them. It was the same day I first met Neil Blender. 1986 or so. Neil was blasting their music over speakers in his living room when O and I walked in. My first question was, “Who is this?” Neil and O both responded, “The Minutemen.” I was dumbfounded. A few months later in a record store, my good friend Kevin Wilkins shoved a couple 12″ records in my hand and just said, “Buy these.” It was the Minutemen’s What Makes a Man Start Fires? and Double Nickels.

I purchased them both and my life hasn’t been the same since.

The Minutemen’s now iconic Double Nickels on the Dime has been floating in the audio ether for twenty-five years this month and I still listen to it pretty regularly. I can practically recite all the bass lines note for note. It acquainted me with San Pedro, the town I’ve lived in and loved for almost twenty years now. Thank you Mike, George and D.Boon (may you rest in peace). Thank you very much.

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Inception

Stunning.

Chris Noble, 23 July 2010

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65daysofstatic: We Were Exploding Anyway

Dance music used to be considered sort of anti-rock and roll. Somewhere along the way though—perhaps in the throes of the postmodern turn—someone started explicitly mixing the two. I distinctly remember the Utah Saints picking up that torch at some point. The Chemical Brothers certainly dirtied it up with their knob-turning fingers. Well, 65daysofstatic have grabbed a hold of it like grim death. Where previous outings may have owed more to Mogwai or Tortoise, this one owes more to Aphex Twin or Autechre. Don’t get it bent though, it still rocks the block like they always have.

Roy Christopher, 05 May 2010

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music

Deftones: Diamond Eyes

It’s so unfair to see a band like Deftones lumped in with bands they have next-to-nothing to do with (e.g., Limp Bizkit, Korn, Tool, et al). One listen to their latest, the delayed and embattled Diamond Eyes—the boys have been through a lot since 2006’s Saturday Night Wrist including an entire record shelved and a bass player in a coma—and you’ll hear the pedigree. Diamond Eyes proves as sophisticated as it is loud and as beautiful as it is aggressive, and Deftones as much like the Cure as they are Clutch.

Roy Christopher, 05 May 2010

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