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029

Omar Almufti writer

Al Jarnow artist

11 May 2010

artfilm

LIFE DRAWING

Celestial Navigations, the first full-length film release from Chicago-based archival record label Numero Group, showcases the short films and animations created in the late 1970s and early 1980s by illustrator Al Jarnow. True to form, Numero Group presents viewers with a carefully researched and compiled catalogue of Jarnow’s stunning body of work, from an animated take on Edward Lear’s poem The Owl and the Pussycat to Jarnow’s first venture into animation and a time-lapse piece compacting one year at his studio into a fifteen minute film, from which Numero Group took the title of their project. Experimental flip book animations detail the journey of a Volkswagon Beetle in several perspectives across highways, country sides and three-dimensional corridors in Autosong. Two particularly cerebral efforts, Cosmic Letter and Cosmic Clock, employ intricate layers of cell drawings to take viewers from Flatbush, Brooklyn to the depths of the universe and from a quiet hillside one billion years into the future, respectively. Not to mention of course, a series of nostalgia-inducing educational shorts which Jarnow produced for universal childhood favorites 3-2-1 Contact and Sesame Street.

Accompanying the collection of short films is a documentary titled Asymmetric Cycles. Featuring interviews and footage from Jarnow’s studio, it provides a unique look at some of the illustrations’ models, objects, flip books, cell drawings and other items used to create the films. The viewer begins to understand the intense depth of Al Jarnow’s creativity as he describes the methods and techniques used to produce certain projects, and talks about his experiences as an artist, illustrator and animator. Also included is a short book containing commentary and essays from Jarnow and his contemporaries, as well as sketches, photos, storyboards and comprehensive notes on each short film.

As expected from the Numero Group, this project has been thoroughly researched and careful attention has been paid to even the smallest detail from production and editing to packaging. And, as expected, the finished product is creative and precise, perfectly suited to the traits and sensibilities of its subject and his work.

shorts

LATEST: 15 July 2010

reviews

LATEST: 23 July 2010

reviews

LATEST: 19 April 2010

glimpses

LATEST: 27 July 2009

style

Ooh, fashion

Excuse my nostalgia, but if there’s one thing I miss about art directing the ol’ timey print versions of Level magazine, it’s designing the travel and style pages. They were the least document-style pages, the ones that I could really bear my white (space) teeth and do whatever the hell blew my skirt up. (You’ll understand that’s a metaphor.) It helped that I had amazing photographs to work with.

When Italian photographer Erica Fava submitted her shots last week, I wished I could lay them out for stochastically-screened, 420×265mm print. Instead, I get to present them to you as a simple online slideshow. Thanks, Erica.

Chris Noble, 15 July 2010

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exhibit

Get Spoked

If you’re in the Portland, Oregon area right about now you’d be amiss to miss the month-long ‘Totally Spoked’ bicycle-related-art show at Portland’s Upper Playground / Fifty 24 PDX Gallery.

Curated by Jeremy Kove of Munson Industries, the show includes works by Mike Giant, Marco Zamora, Will Barras (who I’m sure was in the print Level at some point), Tommii Lim and various others who will break my word-count limit including late-show Evan Hecox and our very own Andy Jenkins.

Chris Noble, 06 June 2010

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art

Not My Type

“Not My Type: An Out of Character Experiment” is a typographical exploration of 26 letters (and a few sneaky characters) by 35 talented illustrators, designers and artists, all displayed in one giant alphabet.

The work is going to be stylistically diverse, with artists ranging from Jon Burgerman, I Love Dust, Sam Pierpoint, Lewes Harriot, Dan Westwood and members of The Outcrowd. (I’ll be bringing a big wooden ‘O’.) The exhibition will be showing initially in the Created In Birmingham store, opening May 6th; all prints will be available to buy from both the store or through the Facebook group where they’ll be shown for the first time to coincide with the opening night.

Lee Basford, 20 April 2010

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