MORE WHATNOT

Levelogger Don Pendleton (and P-Rod) done did the Dew. CN260710

What do you call a smart car with a 1000cc superbike engine? Insane. And available. CN200710

Niels “Shoe” Meulman grafs seriously old-school. CN160710

Maybe adidas should have recut the whole thing instead of Lucas. Nicely done. CN050610

A printer, made from Lego! And felt tips! MN020610

When TV was for kids and not merchandising. CN260510 [1]

Stories from the merch table. MN190510

Some cool work. He’s got a show coming up in SF at Gallery Heist. OA040510

020

Chris Noble writer

10 November 2009

techphoto

OH, SNAP

Not too long ago, on a website very close to this one (this one), Mark Noble waxed lyrical about Olympus’s brand new high-end compact shooter, the E-P1, which was inspired by its classic old high-end compact shooters, the PEN series.

Surprisingly, Olympus have just mothballed the E-P1. Welcome, the E-P2. (It’s as if Olympus sent out the E-P1s and then realised the factory had missed off a few things.) Aside from a couple of fancy and useful-looking focussing features, the major upgrade is the addition of a port on the back, just below the hot-shoe, that enables plug-in gadgets such as the new, included, digital external viewfinder (shown above, top), which can be used at any angle up to 90 degrees, and an off-camera microphone for use while shooting video (at up to 720p).

And it’s now black.

In other camera news, Ricoh have thrown the baby out with the bathwater and developed the GXR (above, bottom). It’s a wacky (if not entirely new) concept and no mistake: whereas cameras like the E-P2 allow lens changes the old fashioned way, Ricoh’s new creation has you slide off half the camera to get different optics. The lens, the sensor and half the image processing clobber comes off in one dust-defying unit, leaving you holding the grip, display, battery, card, some chips and buttons ready to slot in another lens unit.

Ricoh claim that this approach will enable them to optimise each sensor to the lens and its intent.

In 2000 I wrote that I’d eat my hat if Apple’s G4 Cube didn’t sell like hot cakes: it was practical, simple, cuter than any button, and only a little on the pricey side. Apparently, I was naïve. This time, as I have yet to develop a taste for headwear, I’m going to bet that if Ricoh do sell a hot-cake-load of GXRs, I’ll eat my hat. It’s not that it’s bad technology, it’s that there’s not enough wrong with the old way of doing things to make people, well, think different. (And let’s face it, it’s not going to win any beauty pageants.)

Sorry, Ricoh. If you’re going to think outside the box, make sure that box really needs to be thought outside of. Olympus gets the “goodstuff” badge.

THE E-P2 WILL BE ON THE SHELVES IN JANUARY AND WILL SET YOU BACK AROUND US$1099, UK£850 OR €949

THE GXR WILL BE AVAILABLE AT SOME POINT FOR ANYONE WHO INVESTED IN BETAMAX IN THE LAST TEN YEARS

MARK’S PREVIOUS WAX

reviews

LATEST: 15 July 2010

reviews

LATEST: 23 July 2010

reviews

LATEST: 19 April 2010

glimpses

LATEST: 27 July 2009

film

Inception

Stunning.

Chris Noble, 23 July 2010

SHARE: FB TW IN SU

music

65daysofstatic: We Were Exploding Anyway

Dance music used to be considered sort of anti-rock and roll. Somewhere along the way though—perhaps in the throes of the postmodern turn—someone started explicitly mixing the two. I distinctly remember the Utah Saints picking up that torch at some point. The Chemical Brothers certainly dirtied it up with their knob-turning fingers. Well, 65daysofstatic have grabbed a hold of it like grim death. Where previous outings may have owed more to Mogwai or Tortoise, this one owes more to Aphex Twin or Autechre. Don’t get it bent though, it still rocks the block like they always have.

Roy Christopher, 05 May 2010

SHARE: FB TW IN SU

music

Deftones: Diamond Eyes

It’s so unfair to see a band like Deftones lumped in with bands they have next-to-nothing to do with (e.g., Limp Bizkit, Korn, Tool, et al). One listen to their latest, the delayed and embattled Diamond Eyes—the boys have been through a lot since 2006’s Saturday Night Wrist including an entire record shelved and a bass player in a coma—and you’ll hear the pedigree. Diamond Eyes proves as sophisticated as it is loud and as beautiful as it is aggressive, and Deftones as much like the Cure as they are Clutch.

Roy Christopher, 05 May 2010

SHARE: FB TW IN SU