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Lee Basford writer

Lee Basford photographer

17 July 2009

exhibitart

TIME’S UP

An 18th Century Tower, 1,111 ticking clocks and a Japanese sound artist. These things all come together in a new Exhibition from Yukio Fujimoto. The location is Perrott’s Folly, built in 1758, now interestingly caught between various types of inner city housing. It formed part of the inspiration for Tolkien’s The Two Towers and has only recently been re-opened after closing its doors twenty years ago.

Inside you’ll find a narrow stone staircase winding up to the first room which on entering appears to be empty and run down. With paint pealing from the ageing mouldings, the place has certainly seen better days. Then you notice a tiny clock softly ticking in the centre of the room, insignificant at first, but you are only on the first floor. There are six octagonal floors in the building, accompanied by a very steep and narrow climb up the twisting stairs. The sound of the ticking accumulates as you climb higher, each room with more clocks than the room before: first ten, then a hundred and finally a thousand clocks all ticking in one room. And in this last room there are clocks on every surface available. You can barely move as almost all floor space is covered with small, black clocks. The initial feeling is one of being engulfed by powerfull white noise from the chaotic ticking of a thousand tiny, red hands. But the closer you move your head toward different areas of the room the greater that area of sound becomes and you begin to hear strange melodic rhythms forming as hundreds of clocks sync their ticks while others tock. It’s an amazing experience.

reviews

LATEST: 5 March 2010

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LATEST: 23 February 2010

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glimpses

LATEST: 27 July 2009

film

The Imaginarium of Doctor Parnassus

Terry Gilliam is a director that you have probably already decided whether or not you like. His past works have all teetered between genius and madness with varying rates of success. In The Imaginarium of Doctor Parnassus, which is incidentally Heath Ledger’s last film, Gilliam gets his Wizard of Oz / Alice in Wonderland on. It’s a dark tale of good versus evil and the triumph of imagination—and Tom Waits plays The Devil?! Does casting get any better than that?

Roy Christopher, 23 February 2010

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music

Peter Gabriel: Scratch My Back

It seems like cover records come in three flavors: cop-out, contractual obligation-fulfiller, or rookie mistake. Well, that’s just not the case here. While I must admit to hating this record upon first listen, I can now say with honesty that it is good. Damn good. The first thing that struck me was that two of my favorite things about Peter Gabriel records—besides the lengendary genius that is Peter Gabriel, of course—were missing: the drums (Peter Gabriel records always have banging drums) and Tony Levin (King of the Low End). Scratch My Back is just Peter and an orchestra. I realize now that saying “just” doesn’t do it justice. “Just” Peter + “just” an orchestra = some of the most stark, moving versions of these songs you’re likely to hear. They’re all just devastating, but Talking Heads’ “Listening Wind,” Bon Iver’s “Flume” and Arcade Fire’s “My Body is a Cage” are my favorites.

Roy Christopher, 23 February 2010

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book

Nate Pritts: A Wonderfull Yeare

The word “poetry” is a quick and foolproof social litmus test. Its mention will usher honesty swiftly to the lips of whomever is listening. They either adore it or abhor it. Some may secretly love it, but no one lies about liking poetry. If you find someone who shares your love of verse, you’ve found something real in this world. With that said, Nate Pritts is one of the best currently doing it and his new collection, A Wonderfull Yeare, is out on Cooper Dillon books. The book is a seasonal shepherd’s calendar made up of four poems, each season a different style but none any less sad or beautiful than the one before. “Is there a better life than this?” I think not.

Roy Christopher, 23 February 2010

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