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009

Johann Chan writer

Seb Lester artist

22 July 2009

designpeople

YOU KNOW THE TYPE

How would you measure the success of a type designer? Through widespread coverage, the success of their typefaces, or the subjective quality of their work? Seb Lester’s answers to these illustrious career criteria would be the use of his custom Intel typeface on all of Intel’s branding and product ranges and his development of typefaces used by Barclays Bank, Dell, The Daily Telegraph, GQ, The New York Times, The Sunday Times and the upscale supermarket Waitrose, for starters. Lester’s Neo Sans and Soho Gothic are amongst some of the best selling modern typefaces, holding their own amongst classics such as Helvetica and Futura.

The use of his type is not only huge but continually expanding.

To vent some extra creative steam, he’s recently returned to personal typographic artwork and the results have again proved highly successful. Equipped with a singular typographic expertise, Lester’s process runs through trusted, thorough research and painstaking attention to detail and his work involves perfect calligraphic lines, creating unmatchable, classic longevity. The results have proved very popular throughout the spectrum, appealing to typographers, designers, illustrators and people simply after a damned fine tattoo.

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glimpses

LATEST: 27 July 2009

film

Inception

Stunning.

Chris Noble, 23 July 2010

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music

65daysofstatic: We Were Exploding Anyway

Dance music used to be considered sort of anti-rock and roll. Somewhere along the way though—perhaps in the throes of the postmodern turn—someone started explicitly mixing the two. I distinctly remember the Utah Saints picking up that torch at some point. The Chemical Brothers certainly dirtied it up with their knob-turning fingers. Well, 65daysofstatic have grabbed a hold of it like grim death. Where previous outings may have owed more to Mogwai or Tortoise, this one owes more to Aphex Twin or Autechre. Don’t get it bent though, it still rocks the block like they always have.

Roy Christopher, 05 May 2010

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music

Deftones: Diamond Eyes

It’s so unfair to see a band like Deftones lumped in with bands they have next-to-nothing to do with (e.g., Limp Bizkit, Korn, Tool, et al). One listen to their latest, the delayed and embattled Diamond Eyes—the boys have been through a lot since 2006’s Saturday Night Wrist including an entire record shelved and a bass player in a coma—and you’ll hear the pedigree. Diamond Eyes proves as sophisticated as it is loud and as beautiful as it is aggressive, and Deftones as much like the Cure as they are Clutch.

Roy Christopher, 05 May 2010

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