016

Jared Souney writer

9 September 2009

Stompin' Stu

sportfilm

Stompin’ Who?

Vintage BMX has become all the rage—just search eBay for anything related to “Hutch BMX” or “Hutch Trickstar” and you’ll find your wallet running for the hills. BMX racing, which was influenced early on by motocross racing, was, in its heyday, a sport of outcasts and hooligans. Kids that wanted to go fast and break out of the mold. But these days BMX is touching pop-culture as countless 40-somethings are out to relive their youth with bike restorations, re-releases and exhibitions.

Stompin’ Stu, the newly released documentary from John Swarr and Mark Eaton, is the story of BMX racing legend “Stompin’” Stu Thomsen, who dominated in the early days of BMX racing and became one of the first riders to receive major endorsement deals. The film looks at Stu’s rise to the top, his battles with rivals like Greg Hill, his evolution into a career as a police officer and his more recent battle with prostate cancer. I started riding BMX seriously in the early 80s, and still much of his legacy was before my time. So for me, Stompin’ Stu filled in some historical gaps and brought me back to a very different time in BMX.

Eaton and Swarr’s previous film, Joe Kid on a Stingray, provides a more general historical account on the early days of BMX, but Stompin’ Stu is more focussed on the legend himself. It’s a bit more personal. The DVD includes several great bonus features, including Linn Kastan, the founder of Redline Bikes—Stu’s first major sponsor—discussing how the company got its start in BMX. In a separate feature, Kastan details the development of Redline’s Flight Crank, which is the basis for many of the modern BMX cranksets, even showing the early prototypes. If you’re not a total BMX buff, the bonus material might be a bit over your head, but that’s precisely why it’s a bonus, eh?

If you’re nostalgic, or maybe just interested in the roots of BMX, Stompin’ Stu (and Joe Kid as well) is a great blast from the past with first-hand accounts of the day from true legends of the sport. At this point many older BMX enthusiasts have kids, and for those who have kids who ride BMX this film would also be a great way to introduce the wee one to the legends of their—my—your?—youth.

PHOTO: THAT’S STU going down in a tangle of legs and chrome

TRY BEFORE YOU BUY: THERE’S A TRAILER ON THE OFFICIAL SITE, FROM WHICH YOU CAN ALSO BUY THE DVD

reviews

LATEST: 5 March 2010

reviews

LATEST: 23 February 2010

reviews

LATEST: 3 February 2010

glimpses

LATEST: 27 July 2009

film

The Imaginarium of Doctor Parnassus

Terry Gilliam is a director that you have probably already decided whether or not you like. His past works have all teetered between genius and madness with varying rates of success. In The Imaginarium of Doctor Parnassus, which is incidentally Heath Ledger’s last film, Gilliam gets his Wizard of Oz / Alice in Wonderland on. It’s a dark tale of good versus evil and the triumph of imagination—and Tom Waits plays The Devil?! Does casting get any better than that?

Roy Christopher, 23 February 2010

SHARE: FB TW IN SU

music

Peter Gabriel: Scratch My Back

It seems like cover records come in three flavors: cop-out, contractual obligation-fulfiller, or rookie mistake. Well, that’s just not the case here. While I must admit to hating this record upon first listen, I can now say with honesty that it is good. Damn good. The first thing that struck me was that two of my favorite things about Peter Gabriel records—besides the lengendary genius that is Peter Gabriel, of course—were missing: the drums (Peter Gabriel records always have banging drums) and Tony Levin (King of the Low End). Scratch My Back is just Peter and an orchestra. I realize now that saying “just” doesn’t do it justice. “Just” Peter + “just” an orchestra = some of the most stark, moving versions of these songs you’re likely to hear. They’re all just devastating, but Talking Heads’ “Listening Wind,” Bon Iver’s “Flume” and Arcade Fire’s “My Body is a Cage” are my favorites.

Roy Christopher, 23 February 2010

SHARE: FB TW IN SU

book

Nate Pritts: A Wonderfull Yeare

The word “poetry” is a quick and foolproof social litmus test. Its mention will usher honesty swiftly to the lips of whomever is listening. They either adore it or abhor it. Some may secretly love it, but no one lies about liking poetry. If you find someone who shares your love of verse, you’ve found something real in this world. With that said, Nate Pritts is one of the best currently doing it and his new collection, A Wonderfull Yeare, is out on Cooper Dillon books. The book is a seasonal shepherd’s calendar made up of four poems, each season a different style but none any less sad or beautiful than the one before. “Is there a better life than this?” I think not.

Roy Christopher, 23 February 2010

SHARE: FB TW IN SU