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Roy Christopher writer

Sandy Carson photographer

22 June 2009

Omar Rodriguez-Lopez

peoplemusic

THE MAN FROM MARS VOLTA

As the guitarist/composer for The Mars Volta and At The Drive-In, Omar Rodriguez-Lopez has had a regular outlet for his noisy but nuanced ideas for a decade and a half. Well, it seems that their regular output—The Mars Volta has released six records in as many years, with the latest, Octahedron, just out on June 23rd—is not enough. The guy has no less than a baker’s dozen solo and side-project records out, and they’re all good!

Well, they’re all good if you’re into proggy bluesy arty rock ’n’ roll. They’re all good if you’d like to hear what the edges around The Mars Volta sound like. They’re not out-take-ish though: these are fully formed musical onslaughts and they will broaden your head in the same way that The Mars Volta did when you first heard them.

His latest with El Grupo Nuevo De Omar Rodriguez-Lopez, which includes Zack Hill and Spencer Seim from Hella, Cryptomnesia, is a beautifully intricate extension of the last couple of Mars Volta outings, while Old Money is a bit more proggy and weird, but no less fun. Octahedron shows Rodriguez-Lopez eliciting a restraint unseen since Francis the Mute.

Ever wish your favorite band would release more records? Well, if The Mars Volta is your favorite band, chances are you haven’t even heard everything the members have out.

The Mars Volta are just kicking off a Euro-tour, starting in Zurich and culminating in shows in the UK and Ireland

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Inception

Stunning.

Chris Noble, 23 July 2010

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65daysofstatic: We Were Exploding Anyway

Dance music used to be considered sort of anti-rock and roll. Somewhere along the way though—perhaps in the throes of the postmodern turn—someone started explicitly mixing the two. I distinctly remember the Utah Saints picking up that torch at some point. The Chemical Brothers certainly dirtied it up with their knob-turning fingers. Well, 65daysofstatic have grabbed a hold of it like grim death. Where previous outings may have owed more to Mogwai or Tortoise, this one owes more to Aphex Twin or Autechre. Don’t get it bent though, it still rocks the block like they always have.

Roy Christopher, 05 May 2010

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Deftones: Diamond Eyes

It’s so unfair to see a band like Deftones lumped in with bands they have next-to-nothing to do with (e.g., Limp Bizkit, Korn, Tool, et al). One listen to their latest, the delayed and embattled Diamond Eyes—the boys have been through a lot since 2006’s Saturday Night Wrist including an entire record shelved and a bass player in a coma—and you’ll hear the pedigree. Diamond Eyes proves as sophisticated as it is loud and as beautiful as it is aggressive, and Deftones as much like the Cure as they are Clutch.

Roy Christopher, 05 May 2010

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